The total immersion in the minute details of Jeanne's routine over the film's first half is what gives it such power as things eventually begin to go wrong. Support the Show for $2 a month and receive all future episodes early at https://sardonicast.com and https://www.patreon.com/Sardonicast. Wash the potatoes, drain the potatoes, cook the potatoes, serve the potatoes, eat the potatoes. More. There is one element that literally flickers in … A lot of people will get understandably frustrated and bored by it but you have to understand that that's the intention. There was something hypnotic about it to me. Her face remains stoic but her body language is tired and defeated. The film haves beautiful cinematography. Its radical nature is admirable, but the resulting film is difficult to appreciate. If you want to teach me about the moon and the tides, we need not sit for hours on the beach. As if it takes them the exact same amount of time to eat dinner every night. To turn yourself into a machine to just do tasks and not rely on others in order to recover from loss but backfiring and making the person that more miserable and empty. Timecodes: 00:00 – Intro 06:40 – Star Wars: The Rise of Skywalker (Trailer) 10:26 – Lion King (Trailer) 16:30 – Endgame Tickets and MCU Marathon 19:00 – Shazam 48:09 – Jeanne Dielman 1:27:08 – Q&A A masterpiece of a film. And personally, I also found very relaxing and strangely enjoyable to just see this woman just doing this routine. More broadly I think your talk of "realism" and "narrative" is just not at all what Akerman was going for here. The piece reaches the university museum courtesy of the artist and the Stevenson Gallery, Cape Town and Johannesburg. It makes you feel like you're in that place. She made her most well-known work in 1975 when she was just 25: The three-hour long “Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles” … 2 notes Apr 16th, 2016. Press question mark to learn the rest of the keyboard shortcuts. Music director at Los Angeles’s KCRW radio station, Tom Schnabel started the daily program Morning Becomes Eclectic in the 1980s, first bringing world music to U.S. radio with such artists as Buena Vista Social Club, Ravi Shankar, and Caetano Velos — Nov 21, 2008 No, angles, no close-ups, just a flat display of people moving in a space. This is a film so boring that it is brilliant. The cameras seem to be set lower than usual (sorry, I don't know the terminology), the sound is all diegetic and it isn't persistent like the wind sounds in Turin Horse. Open in app; Facebook; Tweet; Reddit; Mail; Embed; Permalink She said in reference to this film “Woman's work comes out of oppression and whatever comes out of oppression is more interesting.” Unfortunately, her movie is not about what “comes out of oppression” it is more an illustration of oppression. Just explaining that this is very purposeful and the film haves a lot more to say. Its as if there is a police car permanently parked outside their apartment. Jeanne Dielman, 23 quai du Commerce,1080 Bruxelles seems more akin to Roman Polansky’s Repulsion or Todd Haynes’ Safe, where we watch a descent into isolation and madness than a sympathetic depiction of the plight of the housewife. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles. If the goal was to show Jeanne’s slow descent into madness Jeanne needed to begin as at least passably sane. They rarely speak and almost never look at each other. Also, her routines also say a lot about her character. Tom Schnabel’s Top 10. I found myself sucked into the voyeurism of just watching her mundane routines. That's a film I was expecting a lot but couldn't finish. I can relate to this idea of repeating the same things in life that start to make me feel worse but still dedicated my life doing these things. 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